National Poetry Month: Poetry Postcards

During National Poetry Month, it’s fun to celebrate poetry in small, unexpected ways. The other day, I received this postcard in the mail:

It was delightful to catch this snippet of poetry in my hands, particularly because it was so unexpected and surprising. It made me think that sending a poetry postcard is the perfect way to celebrate creativity and create delight for someone else.

The rules are simple:

  • Write a poem (or part of a poem) on a postcard
  • Be sure to include the title and author (if you’re sending the card anonymously and including something you wrote, you may leave the author off the card – just be sure to credit someone else’s work)
  • Send to friend, acquaintance, small business, etc.

That’s it! Simple and easy, yet powerful.

If you send or receive a postcard, drop me a note in the comments section and let me know about the experience!

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Closing Thoughts for National Poetry Month : Poems by Countee Cullen and Natasha Trethewey

I pledged at the beginning of April to post poetry that engaged in the conversation about race in America. I didn’t quite meet my goal of several posts a week, but NaPoMo is a busy time.

And then all hell broke loose in Baltimore — and so many people were saying things — poetry seemed like it might be a very small voice among all that noise. Searching online for “Baltimore + poetry” brings up many voices and images; I share two poems that seem horribly relevant.

First, this poem, called “Incident” by Countee Cullen, about a moment of racism in the early 20th century.

Incident

Once riding in old Baltimore,
Heart-filled, head-filled with glee,
I saw a Baltimorean
Keep looking straight at me.

Now I was eight and very small,
And he was no whit bigger,
And so I smiled, but he poked out
His tongue, and called me, ‘Nigger.’

I saw the whole of Baltimore
From May until December;
Of all the things that happened there
That’s all that I remember.

Second, this poem of the same name, “Incident,” by Natasha Tretheway, former U.S. Poet Laureate. She opens with a few comments about her life in 1950s Mississippi. Hear Tretheway reading it at this link.
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Additionally:
The most interesting thing I found is this Harriet blog post on the Poetry Foundation’s website, in which Jericho Brown eviscerates Wolf Blitzer — “How Not to Interview Black People about Police Brutality” — worth the time to read and think about.
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Jericho Brown

Poetry (if we let it) opens our ears and eyes to — and fills our hearts and imaginations with — the injustices of the world. What we do with those open eyes, those hearts and imaginations vibrating with expressions of anger, pain, fear, is up to us. How many more poems about “incidents” will people of all races have to write in America, before such things are history? I am not wise enough to know the answer. I know I ask this question from privilege and try to ask it none the less with humility.

Poems and Photos from the Cherry Blossom Festival

What a great day I had at the Cupertino Cherry Blossom Festival yesterday. I posted all my photos on Facebook, and you can see them at this link. David Perez, Erica Goss and I did our magic with typewriters and the imagination of strangers.

Some of the poems were especially lovely. Like this one I wrote with a young man, based on his answers to my questions.

Aman’s Poem

I also play the violin
I like kicking goals in soccer
Pasta with mushrooms tastes like happiness
I wear Lord Shiva on a silver chain
My favorite flowers are sunflowers
My name means peace.

amans poem

This poem, I wrote with this dad, because his kids were too shy, but they got into the poem!

jsb and the dad

One of my favorite poems was a collaboration with a sweet young person named Christina, who kept saying “I don’t know” when I’d ask her things. Funny what appears in poems.

christinas poem

Poetry at the Cherry Blossom Festival

Tomorrow is the Cupertino Cherry Blossom Festival, at Memorial Park. The festival is both days, Saturday April 25 and Sunday April 26, but I’ll only be there on Saturday, with my poetry booth and my poet friends. Erica Goss, Los Gatos Poet Laureate, and David Perez, Santa Clara County Poet Laureate, will both be with me (in booth 15) after about 11 am. I’ll be there the whole day.

(Read about Japanese poetry before you come, if you’re new to the subject).

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Come by for a chat, for a free poem (written on the spot just for you by a real poet!), to play with my magnetic poetry or my Haikubes (highly in-authentic, but fun).

haikubes

I’ll have books of haiku and senryu, both by Japanese poets and by Americans. I’ll also have anthologies and lesson books from California Poets in the Schools.

I hope to see you there!

Some Awesome April-is-Poetry Month Links + Two Silly Poems

NaPoMo is overwhelming. Here is a collection of things I’ve salvaged from the onslaught.


The Library of Congress is Uploading 75 Years of Poetry and Literature Recordings

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Robert Frost

Yesterday selections from the Archive of Recorded Poetry and Literature at the Library of Congress became available to stream online for the first time — the launch of a project digitizing some of their 2,000 recordings from the past 75 years of literature. “I think that reading poetry and prose on the page is important, but there’s nothing that can replace listening to literature read aloud, especially when it is read by the creator of the work.”


International Lit Mag Focuses on Dissidents, Exiles and Asking the Hard Questions

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(Review of World Literature Today, March/April 2015 by Nichole Reber)

The Children’s Poetry StoryBox is a physical traveling box that was launched at The Thurber Center in February 2014 and has returned to Columbus, OH.

(I want to do this so much, but it will have to wait until another April….)

story box

At a reception at the Thurber House, you will hear poetry that was begun by famous children’s poets – including current poet laureate Ken Nesbitt, Jane Yule, Georgia Heard, Nikki Grimes, George Ella, Lyons, David Harrison, Alan Wolf – and finished by hundreds of primarily elementary students around the nation.


Shakespeare’s Sonnets, All 154, Reimagined Through A New York Lens

(Yes, really, all 154 sonnets, with video. Oh my.)

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A crew filming Sonnet 108 at the John T. Brush stairway. Credit Chang W. Lee/The New York Times

Mr. Williams tried matching sonnets with locations based on their “imagery and rhetorical arguments,” pairing, for example, the legal-minded Sonnet 46 with the State Supreme Court building. He mixed well-known locations, like Grand Central Terminal and the Unisphere, with less familiar ones, like the Holocaust memorial near Madison Square Park.


That’s enough for now. Whew. What a month.

I even wrote a poem, sort of a rant, really, actually two rant-like poems, very much the same. Here’s the second one.