“Loving Day” Poetry Reading June 12, 2014

June 12 is “Loving Day” (every year) and this year I’ll be hosting the second poetry reading in my Unsung Holidays series. (Remember April Fool’s Day?)

“Loving Day” is an annual celebration held on June 12, the anniversary of the 1967 United States Supreme Court decision Loving v. Virginia which struck down all anti-miscegenation laws remaining in sixteen U.S. states citing “There can be no doubt that restricting the freedom to marry solely because of racial classifications violates the central meaning of the equal protection clause.”  According to the official website, there are official celebrations all over the world every year. This year, in Cupertino, we’re having a poetry reading.

I will be hosting, but the poems will belong to my three featured readers:

The reading will be at the Euphrat Museum, on De Anza College campus. 7-9 pm, open mic to follow. We hope you will join us!

 

Prompt #32 Your Parents in Your Poems

I’ve embarked on a series of poems about my parents — in particular their early life together. I have visual memories, stories, photos, a few letters, and my memories of them as young people — and for some reason I am compelled to write about them now. It’s not an exercise in history as much as a way to orient myself in the overwhelming mythology of my childhood. And, no matter how much I want to ground the poems in reality, I can’t. There’s no reality left, just poetry.

Many remarkable poems exist about poets’ parents. Here are two of my favorites:

It can be daunting to write about your parents, so if you’re not sure how to begin, find an old photo of them. Imagine you are an unseen observer just outside the photo — what do you see? What sounds, smells, tastes are there? Is there music? What’s the weather like?

Have fun and don’t be afraid. Much of what we remember about our parents has nothing at all to do with us — they had lives we can never know. As Dar Williams sings about in her great song, “After All” —

Sometimes the truth is like a second chance
I am the daughter of a great romance

I can’t wait to see what you come up with! (Your ever hopeful Cup PL)

Poetry Cafe at Miller Middle School

Yesterday I had the delightful experience of attending the Poetry Cafe at Miller Middle School. Seventh-grade Language Arts teacher Kari Emerson has been holding the Poetry Cafe for the past 14 years; creating with her students a replica of a 1950s Beat-era cafe in her classroom. With posters, table cloths, fresh flowers, special lighting (including totally awesome lava lamps) and a stage, Room 2 is transformed. With student MCs, food servers and a band wearing black berets, the mood is authentic. Even the finger snapping to show appreciation for a poem is consistent with the hipster mood. (If you think you know what hipster means, think again…)

Poetry Cafe 2 door edited Poetry Cafe 11 banner Poetry Cafe 12 stage no kids

These kids all recited poems: some read their own work, others read Shakespeare, Robert Frost, Charles Mackay, Langston Hughes, Amy Lowell, William Blake. They read from folded pieces of paper, books, their iPhones and notes scribbled on their hands. A few parents read poems. Another teacher recited Maya Angelou’s poem “Still I Rise.” I stood up to the “stage” and recited Christina Rossetti’s “A Birthday.” There were poems by Jack Prelutsky and Shel Silverstein. After every reading, fingers snapped and the bongos rumbled. There was a wide range of work, from playful and silly to lyrics and ballads of real depth. A couple of lines resonated with me; Frost’s “I am the master of my soul” and Angelou’s quote “Try to be a rainbow in someone else’s cloud.” Ms. Emerson closed with a moving tribute to Maya Angelou. And through it all we enjoyed cookies, tea, juice and a great vibe.

Ms. Emerson and her students are to be commended for taking poetry into their lives in such a lovely and rigorous way. I was proud to be among their number yesterday. Cupertino, you have no idea what is in your midst, these young poets and poet appreciators are a force to be reckoned with.

 

Prompt #31 Getting Up in the Morning and Looking Out

You may have noticed that I was offline for a couple weeks. I visited my mother in Maine. I had a nice break and enjoyed time with my family. Everyone needs to do that as much as possible.

While I was there, I continued to write a poem every day, or to try to, which amounts to the same thing, I hope. Several mornings I got up and sat outside my bedroom door, or on my mom’s porch, drinking my tea and just looking at her view. Typically I start my mornings with a book, or with my phone and email, but to start the day without language — just with observing and day dreaming — was a strange and powerful experience. A gift I didn’t know I needed.

I mentioned in a previous post that I’d taken a workshop with Sharon Bray. One of the things she talked about is the difference between writing in a journal as a way to brain dump or emotionally vomit and writing in a journal as a record of observation. She described a process like this: get up, go on a walk, make tea, open the curtains and look out, write about something you see. The process of looking out before you start writing will do what she called “hijack the dump” — that tendency in us to complain in our journals, to whine, to criticize, to navel gaze, to think about ourselves first and foremost every time we pick up our pencils or open our computers. I know I’m guilty of it. How many of my poems have the “I” in them? How many of yours do?

While I was in Maine with my mom I tried this. It’s much harder to do than you might think. I was only able to do it a little bit. I had tried it at home in California a few mornings when I’d woken up with nightmares, and sitting in the yard and looking around me was a way to try and focus on something besides those bad dreams. It’s hard. The “I” keeps creeping back in. Something in your ego wants to be the center of your poems, the center of your art, no matter how much you don’t want to sound like you are so full of yourself you might just have to scream.

For prompt #31 I urge you to try it. Get up and before you read, look at email or Facebook, before you let language in, look out. Describe the old chair in the yard, the bird making all that racket, a single leaf on a tree. I described a broken flag pole in Maine. Eventually I wrote a draft of a poem about my father and the waxing moon. I don’t know how much I managed to stay out of the poem, but I like to think I took my muse out and gave her a new kind of exercise.

Here’s a photo of the view from mom’s house, and if you look closely you can see the flag pole. The photo at the top of the post is of me, trying to get in to and stay out of the view.

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The Running of the Poets

Yes, I’ll be reading with this great group on June 14. Come to San Mateo County to hear us!

San Mateo County Poet Laureate's avatarsmcpoetlaureate

In October, when I received the good news that the selection committee wanted me to serve my community as Poet Laureate, my friend Hugh Behm-Steinberg was delighted for me. “Have fun,” he said. “Do something really fun, like the Running of the Poets!” I got to thinking, and talking to people about the idea, and someone suggested the County Fair as a venue. Perfect. And so… Behold.

There will be two events: one on 6/7 at 3:00 pm and another on 6/14 at 6:00 pm. I like to keep Borges in mind again: Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.

So come on down and hear Terry Adams, Maisha Johnson, Dorsetta Hale, Hugh Behm-Steinberg, Erica Goss and Sarah Kobrinsky on 6/7 at 3:00 pm

And Keith Ekiss, Robin Ekiss,Maurine…

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Prompt #30 Anna Akhmatova and The Muse

Dear friends. I am released at last from the tyranny of NaPoMo, and I am wondering what to do with myself. I missed a couple of submission deadlines that I’m sad about, so I’m thinking I may take some time off from writing new things to focus on revising and preparing another manuscript. But, I promised that I’d be writing a poem a day, from 10/10/13 all the way until 10/10/14. It just seems like so much hard work. I bought a new journal. I’ve got some ideas, maybe a poem a day based on all the cards in a pack. What is this malaise? Where is my muse? Does she have a NaPoMo hangover, too?

And then I read this article in the New York Times, shared by a friend. About Anna Akhmatova and the night Isaiah Berlin visited her in Leningrad in 1945. About the love of literature, of a life of the mind. I think maybe I’ve been trying to cram poetry into my life in a way that just can’t be done — a way that hurts both me and poetry. No wonder my muse has left the building.

As David Brooks writes:

The night Berlin and Akhmatova spent together stands as the beau ideal of a different sort of communication. It’s communication between people who think that the knowledge most worth attending to is not found in data but in the great works of culture, in humanity’s inherited storehouse of moral, emotional and existential wisdom.

Berlin and Akhmatova were from a culture that assumed that, if you want to live a decent life, you have to possess a certain intellectual scope. You have to grapple with the big ideas and the big books that teach you how to experience life in all its richness and make subtle moral and emotional judgments.

So, I’m going to see if I can think of poetry again not as data, but as the great work of my life. Maybe my muse will condescend to me, if I wait on her.

Here’s a poem of Akhmatova’s on the subject. If you click through to The Poetry Foundation, you can read it in the original Russian, in a French translation, and in this English one, translated by Stanley Burnshaw.

The Muse

by Anna Akhmatova (translated by Stanley Burnshaw)

When in the night I await her coming,
My life seems stopped. I ask myself: What
Are tributes, freedom, or youth compared
To this treasured friend holding a flute?
Look, she’s coming! She throws off her veil
And watches me, steady and long. I say:
“Was it you who dictated to Dante the pages
Of Hell?” And she answers: “I am the one.”

 


 

Your prompt for today, is to read the article about Akhmatova and her poem. Think about what it means to have a muse, a spirit that comes with poetry (or art or music) in her hands as a gift for you. Write about that. Go slowly.

California Poets in the Schools

I’m going to end National Poetry Month with voices of children. California Poets in the Schools is just one of many organizations nationally that work hard to put working poets into classrooms to encourage the awareness of poetry as an art form and to give voices to children who are otherwise not offered poetry as a creative art. And, though there are others, in my book, CPitS is the only and the best. Full disclosure: I’ve been a poet/teacher with CPitS since 2001, and now serve as both the Area Coordinator for Santa Clara County and as a board member. I love this organization.

Annually CPitS produces an anthology of poetry from all across the state. These poems, from their Facebook page, is indicative of the delicate observation and emotional complexity that children are capable of.

THE SEA

In my mind, there is a sea full of words.
In patches of light green seaweed
words are like seahorses
swaying with the current.

I dive for words like
tuna, octopus, seabass
because they shimmer with color
in the blazing summer sun.

I clean these words and salt them
to preserve them so that later
I can add them to recipes and sentences.

Ethan A., 4th Grade, San Diego
Celia Sigmon, Poet Teacher
Chris Vasquez, Classroom Teacher

POURED FLESH, WITH SILENCE

I never felt like
pouring my flesh
my soul
to hell.
At night
I hear gunshots
get up and run
out to the window
see the smoke. I think
they poured their flesh
to hell. I never hear
silence. Silence is like
an hour glass only
it’s stuck. My heart has
a wish bone in it and
it’s wishing for silence.
One night i got silence
and felt like a butterfly
in spring. The next night
I didn’t hear silence.
I was left in gun smoke, and
in confusion.

by Misty Brown-T, Grade 7, 1993, Oakland
Cassandra Sagan Bell, Poet-Teacher
from the collection *Unborn Dreams* published in the aftermath of the Los Angeles riots (after the Rodney King verdict.)

2014 is the 50th anniversary of our organization. Check out our website and join us: as a teacher, a student, a parent, a donor.
As this is also the closing post on the Cupertino Poetry Exchange for April 2014, I thank you for your attention. Keep writing and reading, keep wondering and asking, keep poetry alive in your life. And drop me a line once in a while!

The Million-Line Poem from Tupelo Press

Right about this time in April, poets near and far are gasping at the well — so much poetry — so many invitations — so many readings —

It’s my first year as a poetry public official (hah!) and I was not prepared. How could poetry — that fleeting energy I love with all my being turn on me with her talons and rip my heart and lungs right out? I don’t think poetry did it to me on purpose — poetry just wants to be loved like the rest of us. Anyway — there must be a poem in there somewhere —

Fortunately for me, there is a place you can go to read the world’s longest poem. It just seems right at the end of Poetry Month. Tupelo Press has some very cool projects, and one of them is “The Million-Line Poem.” Anyone can submit a couplet (two lines of poetry) and they publish the ones they like. There are several repeat offender poets, and I’m even in there. Today is Day 646 of the project and the lines (submitted by V. Jane Schneeloch from Springfield MA, and which I love) are:

From strips of pain
she fashioned a thick coat.

What would you write in response to them?

(The Raquel Welch movie poster is in no way associated with Tupelo Press or its poets — I don’t think — but sometimes you just have to make yourself laugh — when poetry is hurting, try Raquel Welch movie posters.)

Los Gatos High School Poets & Larry Levis

It couldn’t be a more perfect story. “Los Gatos High Freshman English Class Publishes ‘Windows to the Teenage Soul’. The Ebook poetry anthology — possibly the first of its kind for a high school class — is innovative project to help finance 2017 Senior Prom.”

Quoting from Los Gatos Patch: Los Gatos High School English 9 Honors students collaborated with the Los Gatos Library and Smashwords, a distributor of self-published books, to create and publish what they believe to be the first self-produced ebook by a high school class.  Written by more than 120 freshman English students at Los Gatos High, Windows to the Teenage Soul  is an an electronic poetry anthology — an Ebook — available worldwide through Smashwords, on Amazon, Barnes and Nobles, KOBO and Apple’s iBook store. Proceeds from the book’s sales, which begin May 6, will help fund the LGHS Class of 2017’s future events, including senior prom. 

I can’t share a poem from this book (not yet published) but I will share this poem about teenage life and its challenges and dreams.

The Poet at Seventeen

by Larry Levis

My youth? I hear it mostly in the long, volleying
Echoes of billiards in the pool halls where
I spent it all, extravagantly, believing
My delicate touch on a cue would last for years.

Outside the vineyards vanished under rain,
And the trees held still or seemed to hold their breath
When the men I worked with, pruning orchards, sang
Their lost songs: Amapola; La Paloma;

Jalisco, No Te Rajes—the corny tunes
Their sons would just as soon forget, at recess,
Where they lounged apart in small groups of their own.
Still, even when they laughed, they laughed in Spanish.

I hated high school then, & on weekends drove
A tractor through the widowed fields. It was so boring
I memorized poems above the engine’s monotone.
Sometimes whole days slipped past without my noticing,

And birds of all kinds flew in front of me then.
I learned to tell them apart by their empty squabblings,
The slightest change in plumage, or the inflection
Of a call. And why not admit it? I was happy

Then. I believed in no one. I had the kind
Of solitude the world usually allows
Only to kings & criminals who are extinct,
Who disdain this world, & who rot, corrupt & shallow

As fields I disced: I turned up the same gray
Earth for years. Still, the land made a glum raisin
Each autumn, & made that little hell of days—
The vines must have seemed like cages to the Mexicans

Who were paid seven cents a tray for the grapes
They picked. Inside the vines it was hot, & spiders
Strummed their emptiness. Black Widow, Daddy Longlegs.
The vine canes whipped our faces. None of us cared.

And the girls I tried to talk to after class
Sailed by, then each night lay enthroned in my bed,
With nothing on but the jewels of their embarrassment.
Eyes, lips, dreams. No one. The sky & the road.

A life like that? It seemed to go on forever—
Reading poems in school, then driving a stuttering tractor
Warm afternoons, then billiards on blue October
Nights. The thick stars. But mostly now I remember

The trees, wearing their mysterious yellow sullenness
Like party dresses. And parties I didn’t attend.
And then the first ice hung like spider lattices
Or the embroideries of Great Aunt No One,

And then the first dark entering the trees—
And inside, the adults with their cocktails before dinner,
The way they always seemed afraid of something,
And sat so rigidly, although the land was theirs.

 

 

Prompt # 29 : Postcard Poems

I attended a workshop on Saturday. I took a break from being the Cupertino Poet Laureate, from being a poet/teacher with California Poets in the Schools, I went back to school and was just a poet who needed to remember her muse. It was heaven.

The workshop was hosted by the Stanford School of Medicine Program in Arts, Humanities and Medicine. The workshop leader was Sharon Bray. We did six writing exercises in eight hours. It was exhausting. But revelatory. And I made new friends. And the lunch was yummy.

One of the exercises, which I can safely snatch and share here (I don’t think Sharon would feel it is her patented idea) was to write a poem on a postcard. She had us sit outside, walk around, and then write on the postcards she brought. Of course, she infused the exercise with her signature calm, love, humor and wisdom. But there are other (many!) postcard poetry spaces in the world; here are a few:

Anyhow — it’s an easy challenge. Look outside your window and write a tiny poem that fits on a postcard. Then send it to someone you love. Be sure to take a photo of it first. Share it here with us! I’ll post mine in a few days.

Poem postcard image by David Lehman on the poets.org site.

June 8, 2014 Note: Here’s a link to my collection of postcard poems. Enjoy!

Postcard from David Lehman. Postmarked July 27, 2011, New York. – See more at: http://www.poets.org/viewmedia.php/prmMID/22474#sthash.0OOPRYto.dpuf
Postcard from David Lehman. Postmarked July 27, 2011, New York. – See more at: http://www.poets.org/viewmedia.php/prmMID/22474#sthash.0OOPRYto.dpuf
Postcard from David Lehman. Postmarked July 27, 2011, New York. – See more at: http://www.poets.org/viewmedia.php/prmMID/22474#sthash.0OOPRYto.dpuf