In honor of my daughter, who is this very moment taking her anthropology qualifying exam, I’ve found some anthropology poetry connections.
In this short essay, Robert Peake thinks about how poetry can be a kind of anthropology — the idea of “poet as anthropologist” — in contrast to the recently popular confessional poetry point of view — “poet-as-person-who-confesses.” The author makes the point that poets might be tired of gazing at their navels, and are now more likely to gaze at the navels of others.
“[…] American poets are no less united in the cause … to “extend the imaginative franchise”–with its power to renew our understanding of what it means to be human. It is in this pursuit that poetry and the actual science of anthropology intersect. At the end of postmodernism, having our ideas of objectivity and centrality blasted to bits by the Second World War, we are beginning to pick up the pieces.
But simply gluing them back together is no longer an option. Having examined our own little fragment ad nauseum through confession, we are finally beginning to relate more inquisitively to our own, and the other, shards. In what I hope history will regard as our current period of “late postmodernism” or perhaps “post-postmodernism,” we return in poetry to the one question a Google search can’t answer for us: what is it, this thing called “being human?”
And because I want to give my daughter (to whom I have mailed a copy of this poem) and you, gentle digital reader, a moment to slow down with a poem and consider what it means to be human, here is a wonderful mysterious poem I found, just for you.
By James Galvin
Remember the night you got drunk
and shot the roses?
You were a perfect stranger, Father,
even my bad sister cried.
Some other gravity,
not death or luck,
drew fish out of the sea
and started them panting.
The fish became a man.
The archer’s bow became a violin.
I remember the night you searched the sofa
and wept on the telephone.
Some other gravity,
not time or entropy,
pulled the knife down for centuries.
The archers dropped their bows,
harmless as pine needles in the snow.
The knife became a plow
and entered the earth, Father.
Later it became a boat
and some other things —
It isn’t a dream but it takes a long time,
for the archer’s bow to become a violin.
James Galvin, “Anthropology” from Resurrection Update: Collected Poems 1975-1997. Copyright © 1997 by James Galvin. Copper Canyon Press, http://www.coppercanyonpress.org.
For future exploration:
- “A renowned poet blends anthropology and art” with Jerome Rothenburg.
- “On Seeing the Elgin Marbles” by John Keats, and a biography of Keats, including a discussion of how he came to write this poem after visiting what called “The Elgin Marbles” at British Museum. (This posts photo is one of them.)
- A helpful interpretation of “On Seeing the Elgin Marbles” by a young Brit before studying English.
(In case you came today to get a prompt to write a poem, read this related post.)