The Fortieth Prompt : Why Bother?

A lot of people wonder why we bother with poetry. Nobody wonders why we bother with groceries, or gasoline, or silverware. But poetry? They wonder. Maybe I should tell you a little bit about why I bother: and the prompt this week will be to write a poem about why poetry matters to you. Or why it doesn’t….

Regularly in the late 20th and now into the 21st century, critics, thinkers, people in the know ask if poetry matters, is poetry dead, what is poetry? Doesn’t that sound a little bit like does God matter, is God dead, what is God? For me, poetry — and I believe this applies to all arts, but poetry is my art — is like God. An idea, a force, an organizing principle, a beloved, a set of rules and expectations, a community — something I can’t live without, something unexplainable, something I think about and try to understand every single day of my life. Something I believe in. Like gravity. I look at the world always, over and over, as a place where I might find poetry. I don’t mean this comparison to be sacrilegious, but rather to elevate poetry in your understanding. Poetry is not my religion; I don’t worship poetry.  But there are/were gods and goddesses of poetry, and you could worship one of them… (smiley face).

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And yet, the comparison still works: many would say their religion is their context for living, and for me, that’s what poetry is: the context in which I live my life. (Wow, this is getting pretty serious…)


But, of course, poetry is useless, pointless, worth nothing at all. Poets don’t get any respect, they can’t sell their work, they’re awkward, congregate in dark places, spend way too much time staring out the window and day dreaming. Good for nothings. You can’t get the news from poetry. (William Carlos Williams and Adrienne Rich have talked about this a lot).

Poetry is something I put my faith in. When I don’t know what to do next, I take a deep breath, look around, and see where the poem will appear. I listen and wait and a poem comes both up from inside my heart and in from outside my body. (Yeah, this might be getting rather maudlin, but I want you to understand how seriously I take this stuff.)

When I realized I was writing my fortieth prompt today, I went to and typed “forty” in the search box. This very funny sarcastic sweet terrible (as in, strikes terror in your heart) prose poem appeared, called “Forty-Seven Minutes” by Nick Flynn — it made me both laugh and shudder. (Nick Flynn is exactly as old as I am, but his poems are better – or at least he’s more famous. Read more of his work.)

What is he trying to do by starting the poem with “Years later,” — where was he before this poem began?  I love how he leans in close at the end, both threatening and laughing, full of the power of poetry and the complete ridiculous futility of it.

I hope you’ll see how Flynn’s poem is simultaneously a statement of faith, a swagger, and an acknowledgement of longing. Poets are really rather pathetic silly egomaniacal loners. People who make art with nothing but words. Whoever heard of making art with nothing? Those people be poets. I am proud and resigned to call them my tribe.


Leave me a comment, a note, a curse, something, anything, to let me know you’re listening.

“The Owl & the Pussycat” by Edward Lear

I’m feeling light-hearted today, desirous of rhyme and rhythm. This poem is such a delight and one that I suspect doesn’t get the respect it deserves. Make sure you read it out loud, at least to yourself, preferably to a small person while the TV is off. (If you click through to the Poetry Foundation or sites, you can see it formatted correctly.)

The Owl and the Pussy-Cat

  by Edward Lear

The Owl and the Pussy-Cat went to sea
In a beautiful pea-green boat:
They took some honey, and plenty of money
Wrapped up in a five-pound note.
The Owl looked up to the stars above,
And sang to a small guitar,
“O lovely Pussy, O Pussy, my love,
What a beautiful Pussy you are,
You are,
You are!
What a beautiful Pussy you are!”

Pussy said to the Owl, “You elegant fowl,
How charmingly sweet you sing!
Oh! let us be married; too long we have tarried,
But what shall we do for a ring?”
They sailed away, for a year and a day,
To the land where the bong-tree grows;
And there in a wood a Piggy-wig stood,
With a ring at the end of his nose,
His nose,
His nose,
With a ring at the end of his nose.

“Dear Pig, are you willing to sell for one shilling
Your ring?” Said the Piggy, “I will.”
So they took it away, and were married next day
By the turkey who lives on the hill.
They dined on mince and slices of quince,
Which they ate with a runcible spoon;
And hand in hand, on the edge of the sand,
They danced by the light of the moon,
The moon,
The moon,
They danced by the light of the moon.

For a deeper dive into the value of this poem, enjoy this article by David Orr, in which he describes helping his father recover from a stroke by using poetry. “Orr’s father tells him, “I really like the runcible spoon,” and that’s close enough to love for me. “